THE LEXINGTON
96-98 Pentonville Road, London, N1 9JB - TEL: 020 78375371
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Wasuremono

Saturday, October 02, 19:30
adv £9.50

B-O-A based dream poppers Wasuremono refine their layered sound into a formidable poppy, melodic and almost psychedelic affair. Recent tour support slots with Flaming Lips and Phosphorescent alongside strong support from 6music this band is timed perfectly to soundtrack your summer.

The Japanese word ‘wasuremono’ or, ‘忘れ物’ in kanji characters, roughly translates to “something forgotten or left behind.” Within the first few bars of Wasuremono’s new album “Are You OK?”, feelings of isolation, fear, defensiveness, and inherited reservations, are forgotten or left behind. It may sound like a tall task, but somehow, they nail it. “We will find you, we will, we will work it out!”, the climactic track ‘Self-Help’ reassures.

2018 was quite a year for Wasuremono; with the release of their self-titled debut album, Steve Lamacq’s invite to record a live session for BBC 6 Music at the legendary Maida Vale Studios, Lauren Laverne describing them as a “favourite”, supporting both the The Flaming Lips and Phosphorescent on tour and playing at iconic venues such as Shepherd’s Bush Empire – no mean feat considering the debut album was conceived and recorded in a garden shed.

‘Are You OK?’ was also written and recorded by multi-instrumentalist William Southward in his shed, a tiny space at the bottom of the garden, crammed with old instruments collected over the years and the sounds of birds occasionally spilling into the recordings”, explains Southward. With the enlistment of friends Madelaine Ryan, Isaac Phillips, and Phoebe Phillips, Southward’s songs come to life. ‘Are You OK?’ is an immersive kaleidoscopic collection that plunges the listener deep into an invigorating world of sanguine synths, radiant harmonies and salient percussion that is repeatedly sublime. Although the atmosphere of the album is mostly one of hope and assurance, it stylistically travels through baggy electronica, mesmeric psychedelia, wonderfully futuristic (or is it wonderfully retro?) pop, to off-kilter almost surf-rock on tracks like ‘A Lesson To Learn’.

The enveloping percussion on the release was central to its creation, explains Southward, “Most of this album was written around an old Linn Drum Computer that I managed to get my hands on last year. I had always really liked thedistinct 80’s sound of the Linn Drum, made famous by the likes of Prince, Gary Numan, and Peter Gabriel, and it was a fun and unique process writing songs around the beats I programmed in.” Southward puts the fizz and pop of the record down to “all the songs on the album being the original demos; There always seems to be a magic in the original take of a song, that’s impossible to put your finger on and equally hard to replicate when you then try to re- record it.”


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